Maples in a Spruce Forest

They live by attenuation,

Straining, vine-thin,

Up to gaps their gold leaves crowd

Like drowning faces surfacing.

Wherever dappled sun persists,

Shy leaves work photosynthesis;

Until I saw these slender doomed,

I did not know what a maple is.

The life that plumps the oval

In the open meadow full

Is beggared here, distended toward

The dying light available.

Maturity of sullen spruce

Murders these deciduous;

A little while, the fretted gloom

Is dappled with chartreuse.

(June 2, 1961)

 

Erotic Epigrams

I

The landscape of love

can only be seen

through a slim windowpane

the viewer's breath fogs.

II

Iseult, to Tristan

(condemned to die),

is like a letter of reprieve

which is never delivered

but he knows has been dispatched.

III

Hoping to make a mirror, the lover

polishes the face of his beloved

until it becomes a skull.

(June 14, 1963)

 

Wind

If God has any voice it is the wind.

Women hate

this seeking of a vacuum,

it gets their edges up,

they cannot sleep, they think

of Boreas impregnating primeval Night,

of skirts rudely lifted in funhouses.

It is death made loud:

nowhereness bellowing,

now reedy along the copper eaves,

now ballooned to a manifold softness by a tree,

now scraping like flint on the surface of water,

making arrowhead wrinkles,

seeking somewhere to stop and be.

Wind carves. It makes mesas

and heaps up waves as a rich man plays

with remote corporations that swallow and shift

poor fish by the thousand.

I lie here listening.

Wind carves. It makes mesas

and heaps up waves as a rich man plays

with remote corporations that swallow and shift

poor fish by the thousand.

I lie here listening.

In its mouth my body tastes like stale milk.

(January 21, 1972)

John Updike (1932-2009), writer of the "Rabbit" series, was an American novelist, short story writer, and poet. 

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